The Rivington Fund enabled me to follow an instinct to delve into the inspiration found in nature that artists, Frances Hodgkins and Dame Eileen Mayo, drew on throughout their careers.
Another factor common to both, was travel, often during times of strife.
I found myself in Aotearoa, otherwise known as New Zealand, ‘the land of the long white cloud,’ at the beginning of a worldwide pandemic. The exhibition of Frances Hodgkins’s work at the Christchurch Art Gallery, Te Puna o Waiwhetū, was breath-taking in its range.
Since my return, I’ve embarked on new projects, digging deep into nature’s sources of pigments for dyeing, paints and inks. Foraging for supplies, hands in the earth literally, gathering materials. Last autumn I travelled again, joining an Erasmus funded project in Cyprus, that included the use of natural materials to make traditional crafts like weaving, and making pigments.
Respecting cultures, and learning from them, is unlocking new ways of perceiving the world, through new eyes.”